Working Method
Drawings begin with graphite and unprimed paper, testing form before color. Oil on linen is layered slowly over several months in the studio, using historic color houses and rabbit-skin glue sizing.
Sourcing materials directly from traditional mills ensures archival longevity and allows the intrinsic tactile qualities of pigment and weave to remain entirely uncompromised.
Exhibitions
Selected presentations and collections
20+
solo and group exhibitions
15 yrs
independent studio practice
4
permanent institutional collections
Appointments in Hudson, New York
Studio visits and original inquiries are welcome by appointment, answered within two business days.