Selected pieces
Original compositions on heavy linen, preliminary drawings on cold-pressed cotton paper, and strictly limited archival pigment editions.
Material practice
Patience before pigment
Every canvas begins with unbleached linen stretched by hand across kiln-dried cedar stretchers. Sizing and ground layers cure over several weeks before oil glazes touch the surface.
Working exclusively with cold north daylight preserves accurate chromatic values. Drawings test geometric tension and weight before larger works commit to pigment.
Direct acquisitions and studio visits
Private viewings and curatorial inquiries are handled directly by the artist.